“Books cling to me.
They fly down to me – run up and attach themselves to me
I love them for so long, large and small, thick and thin, rare editions and cheap little booklets, in blearing
dust jackets or thoughtfully enveloped in solid leather, as if in soft shoes.
They should not be too neat, like suites from the tailors; they should not be clad in greasy rags. A book
should lie in the hand like a well adjusted tool.
I have loved them so much that they have begun to love me back.
Books burst open like ripe fruit in my hands, and fold back their petals like magic flowers, bearing the
seed of thought, a stimulating word, an apt quotation, a useful illustration’’
This
quote,
which
I
understand
so
well,
comes
from
Sergei
Eisenstein.
It
was
mounted
on
the
outside
wall
of
a
reconstruction
of
his
study
in
Moscow.
A
Spartan
room
in
some
ways;
though
inhabited
by
objects,
dedicated
photographs,
books,
Russian
Vyatka
toys
and
other
folklore
items,
a
triptych
of
Japanese
woodblock
prints
by
Utamaro,
and
two
long
frames
containing
a
series
of
engravings
by
Jacques
Callot
with
the
title
‘Balli
Di
Sfessania’,
showing
the
ancient
characters
of
the
Commedia
dell-arte,
all
the
things
that
influenced the work o Eisenstein, and which I too know so well because the same things surround and influence me.
This
quote
was
noted
during
a
visit
to
the
Oxford
Museum
of
Modern
Art,
and
the
exhibition,
‘Eisenstein1898-1948:
His
Life
and
Work’. August 1988.
John M. Blundall
eisenstein
on Books